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As far as value, I'd guess in the neighborhood of ~$300 - ~$400, maybe a bit more, maybe a bit less. As I said, I see nothing having to do with the guitar which suggests anything other than 1990s Korean manufacture. Perhaps to defraud or maybe just to make someone feel they had something special or unique.
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Why people do such things is anyone's guess. As far as the interior label it looks to me as if white-out was used to block out the original "Made In Korea" designation and someone thinking they were clever then added the made In The USA. The bridge while interesting can be explained as an after-market replacement/modification as can the pick guard. 8 products Epiphone Embassy Bass Wanderlust Green Metallic Epiphone Inspired by Gibson J-200 Aged Natural Antique Gloss w/Fishman Sonicore Epiphone EJ-200. The head stock shape, the machine heads, the three screw truss rod cover, the fret board markers, all suggest Korean manufacture. Nothing other than the label (which is questionable at best, suggests any connection to USA manufacture. Aside from the plain pick guard on yours, for all intents and purposes this is the guitar you have. About 1992 production of the EJ-200 was started in Korea by Samick. While there were some electric guitars branded as Epiphones made domestically(primarily 1981-1983) I can't think of any USA-made acoustics made in this time frame. During what was known as "The Norlin Era" (1970-1985) Gibson acoustics were not enormously popular or famous for their build and material quality. The bridge was similar to the the six pin, non-adjustable one used on the contemporary Gibson J-200 with no cut outs and two swept comma pearloid inlays. They were generally a J-200 type model although with completely laminated woods, white pearloid block fret board markers and plain black J-200 type pick guard with a white/faux pearl epsilon. During the Gibson/Kalamazoo Epiphone years nothing even close was produced domestically although from 1973-1979 there were two J-200 type models called the FT-570 BL (natural finish)and FT-570 SB (sunburst finish) which were made in Japan by Matsumoku. The FT-210 Deluxe had a single cut away and was actually slightly larger (17 3/8" lower bout) than a J-200. The nearest things to a J-200 that Epiphone made were the New York/Philadelphia made FT-210 Deluxe from about 1950-1957 which yours absolutely isn't. Like all Epiphone instruments, the EJ-200 Artist is covered by our Limited Lifetime Warranty and the Gibson Family of Instrument’s 24/7/365 customer service.I'm pretty familiar with the various domestic runs of Epiphone and i can't think of any run it could have been a part of. 3 4 5 WAY GUITAR EFFECTS PEDAL 9V DAISY CHAIN POWER SUPPLY CABLE SPLITTER LEAD. Every great rhythm guitarist and singer of the last century made the J-200 their primary acoustic instrument on stage (and for record covers, too) including Don Everly, Bob Dylan, Robbie Robertson, Emmylou Harris, Elvis Presley, Gram Parsons, Buddy Holly, and Pete Townshend who composed The Who's Tommy on a J-200 style acoustic. Gibson SJ-200 Vs Epiphone EJ-200 The Gear Pag (F20) J-200 SJ-200 Style Acoustic Guitar Pickguard ,Tortoise-brown. The J-200 style is simply the world’s most famous acoustic guitar, known equally for it’s majestic look and focused, complex sound. Since then, the J-200 has been the acoustic guitar that every player wants whether on the open range or an open stage. Plugging in evens the playing field considerably.I bought the EJ first and after living w/ both of them for over half a year I think I'll be selling the EJ. Gene Autry and Roy Rogers frequently made the J-200 their guitar of choice for dozens of Westerns, forever linking cowboys and guitars. I have an EJ200 and a DR500 and unplugged the Masterbilt is much more resonant than the EJ 200.Better sustain and bigger sound. The J-200 was a radical new guitar, bigger and bolder than any previous design, and was capable of projecting well beyond that of any other acoustic on the market-a fact that still holds true today. When the J-200 was first introduced, it immediately filled a need for a deeper, more balanced and powerful acoustic instrument that could project over stage and radio. Today-over 70 years later-the legacy of “King of the Flat-tops” lives on with our EJ 200 Artist in a no-frills, all-tone package. Originally introduced in 1937, the J-200 set a standard for guitar excellence that others have been trying to match ever since. EJ-200 Artist The limited edition Epiphone EJ-200 Artist brings back the historic guitar deservedly known as the “King of the Fla-tops,” the J-200.